In 'Palindromes', Middle-class Jersey Life Again in Solondz' Sights.
Solondz's forte, as always, is the delicious gap that he is able to create between the tone of a scene and the sentiments characters express within it. Thus, when the Barkin character is trying to comfort her daughter by recounting an earlier abortion of her own, amidst all the overwrought expressions of a mother's love and the gooey, sentimental music, she talks of "getting rid of that little Henry guy." At another moment she tries to convince Aviva that her fetus is not really a baby at all, but "just a tumor."